Track 10 of 10
Larry Hans
The final plea: that it be She who receives him.
Hay quien sueña, María, con que al cruzar el último puente,
lo reciba un padre, una madre, una hija, o un hijo.
Hay quien anhela ver primero a un amigo del alma,
o a esos abuelos que le enseñaron a creer.
Yo, María, no pido eso. Yo no busco caras conocidas,
ni voces familiares, ni los nombres de los míos.
Yo te pido, María, esta única cosa, esta única gracia:
cuando muera… que seas Tú… la que esté allí esperando.
Porque he gastado mi vida llamándote «Madre»,
he rezado Tu Ave María mil veces sin saber si me oías.
Pero cuando llegue mi hora, María, déjame ver Tu rostro,
déjame entrar al cielo… abrazado a Ti…
Que seas Tú, María, la que me reciba,
cuando termine mi camino, cuando se apague mi vida.
Que sea Tu mirada el primer alba en la otra orilla,
y Tu manto azul… el primer hogar del alma mía.
Te he buscado en cada lágrima, en cada amanecer cansado,
te he llamado en silencio cuando nadie me escuchaba.
He rezado el rosario por mis hijos mientras dormían,
y a Ti, María, te he pedido fuerzas para no caer.
Sé que no soy digno, sé que mil veces he fallado,
pero también sé que Tú no abandonas a quien Te llama.
Por eso, María, en mi hora última, en la hora final,
no quiero más nadie en la orilla… que Tú.
Que seas Tú, María, la que me reciba,
cuando termine mi camino, cuando se apague mi vida.
Que sea Tu mirada el primer alba en la otra orilla,
y Tu mano en mi mano… al final de mi vida.
Y cuando cierre los ojos por última vez en este mundo,
y los oídos dejen de oír las voces que conocí…
quiero abrir los ojos y verTe a Ti, María,
con esa mirada Tuya, llena de la ternura del cielo.
Que sea Tu mano la que tome mi mano temblorosa,
que sea Tu voz la que diga: «Ven, hijo… te llevo a casa».
Que seas Tú, María, la que me reciba,
cuando termine mi camino, cuando se apague mi vida.
Que sea Tu mirada el primer alba en la otra orilla,
y Tu rostro será… mi primer cielo en aquel día.
¡Que seas Tú…! (que seas Tú…)
¡Mi María…! (mi María…)
¡La que me reciba…! (la que me reciba…)
…en aquella orilla… abrazado a Ti.
Y sé, María, que estarás allí, porque toda mi vida
he rezado por esa hora, he pedido por ese momento.
Y Tú nunca abandonas a quien Te llama, mi Madre,
Tú estarás allí… esperándome… como esperaste a Tu Hijo.
…hasta que llegue mi última noche, María,
seguiré pidiéndotelo igual…
que seas Tú… quien me reciba.
Written, performed and produced by
Take it with you
A single page made to be printed: the whole lyric on bone-coloured paper, with a dedication written for this song and Larry Hans's signature. To pray it, to give it away or to keep it — not to read on one more screen.
Download the sheetThe last song is a simple request. Some people dream that when they die they will be met by a father, a mother, a child or a soulmate. The one singing asks for none of that: he asks that it be She who is waiting. The chorus draws closer in three steps — first Her blue mantle, then Her hand in his hand, and at the end Her face, which he calls his first heaven. And so the image that opened the album returns: in the first song She came down to this house; in the last, he is the one asking to go to Hers.
The things people ask most about this page. If something is missing, write to the address in the footer.
It is the album's final request. Some dream that at death they will be received by a father, a mother, a child or a dear friend. The one singing asks for none of that: he asks that She be the one waiting.
Because it closes the circle. The blue mantle of the first song returns: there She came down to your house in the middle of the night; here you are the one asking to go to Hers and be received in that same mantle. The album ends where it began, with the roles reversed.
It runs 5:45 and is track 10, the last on «La Virgen de Nazaret». Its ISRC is QT6FP2692528. A solo violin holds the longest note on the whole album to see it out.
Bare acoustic, with no band. A solo violin closes the record with the longest note on the album: it is the same violin that signs off every farewell across the ten tracks, here left alone at the end.
It draws closer in three steps: «Tu manto azul» (Your blue mantle) → «Tu mano en mi mano» (Your hand in my hand) → «Tu rostro… mi primer cielo» (Your face… my first heaven). Mantle, hand and face: each repetition a little nearer, until it reaches her face.
It is asking that Mary accompany the final hour, and it is what this song is about. The lyric is carefully written on one point: «te llevo a casa» places Mary as the one who guides, never as the destination. She accompanies; she does not replace God.
Not exactly. It speaks of death, but as a serene request rather than a lament. It is dedicated to those who no longer fear dying and also to those who do, and all it asks for is one specific companion for that moment.
To those who no longer fear dying, and also to those who do. In the author's words: I am not asking for familiar faces or familiar voices, I am asking that She be the one waiting; if you ask for the same, this song is yours too.
It is the album's song meant to accompany the end of a life, alongside «El día que Te dije adiós» for the grief of those left behind. To play it during a ceremony, it is best to ask first at soy@larryhans.com.
On Spotify, Apple Music, Amazon Music and the other digital stores, and in the player on this page. The buttons above lead directly to this track in each store.
On this page, in a PDF sheet to print with the full lyric, the dedication written for this track and the author's signature. It is free, requires no sign-up and is available in the site's eight languages.
On «La Virgen de Nazaret» (2026), Larry Hans's debut album, of which it is track 10 and the closing song. After it there is nothing more: the violin holds the last note and the record ends.
Larry Hans, a Costa Rican singer-songwriter and practising lawyer: words, music, performance and production, as on the album's other nine tracks.
No. The lyrics are the work and are always read in the original Spanish. The song's explanation, its fact sheet and the printable page are available in the site's eight languages.
The recording is under reserved rights, with ISRC QT6FP2692528. To use it in a video, a publication or any derivative work, prior permission must be requested at soy@larryhans.com.
I don't know your name or where you live, but the map says you were here. Thank you for putting this music on in your house, in your car or in your headphones, at whatever hour it was — every flag below is someone who stopped by to say hello.
Statements