Track 6 of 10
Larry Hans
The wedding at Cana: the wine runs out and She knows before anyone.
Una boda en un pueblo de Galilea,
los novios bailaban y la fiesta no acababa.
Tú estabas allí, mi Jesús, con Tus discípulos al lado,
y María, Tu Madre, en lo que podía ayudaba.
Pero Ella vio lo que nadie más miraba:
el vino se acababa… y nadie aún lo notaba.
Y mientras todos bailaban, sin ver lo que pasaba,
Ella se acercó hacia Ti con la calma de quien sabe.
Te miró en silencio, mi Jesús…
…y entre Ustedes pasó algo que nadie creería…
No nos creerían, mi Jesús, la complicidad que había,
no nos creerían lo bien que Ella Te leía y Te entendía.
Le bastó una palabra, aunque Tu hora aún no venía,
hiciste el primer milagro… porque Tu Madre así lo sabía.
Te dijo dos palabras: «No tienen vino» — y nada más.
Tú la miraste con cariño y casi en juego le contestaste:
«Mujer, ¿qué tienes Tú conmigo? Aún no ha llegado mi hora.»
Pero no era reclamo, mi Jesús, era complicidad sonora,
era el ímpetu del Hijo… que de Ella misma aprendió desde la aurora.
No nos creerían, mi Jesús, la complicidad que había,
no nos creerían lo bien que Ella Te leía y Te entendía.
Le bastó una palabra, aunque Tu hora aún no venía,
hiciste el primer milagro… porque Tu Madre así lo creía.
Y sin esperar Tu respuesta, mi Jesús,
Ella se volvió a los sirvientes y les dijo, sin temblar:
«Hagan lo que Él les diga» — eso fue todo.
Y aquellas seis tinajas de agua se hicieron vino al instante,
y nació el primer milagro… porque Tu Madre así lo quería.
No nos creerían, mi Jesús, la complicidad que había,
no nos creerían lo bien que Ella Te leía y Te entendía.
Le bastó una palabra, aunque Tu hora aún no venía,
hiciste el primer milagro… porque Tu Madre así lo pedía.
¡No nos creerían…! (no nos creerían…)
¡Mi Jesús…! (mi Jesús…)
¡Lo cómplices que éramos…! (lo cómplices que éramos…)
…Tú… Ella… y este vino nuevo.
Nació aquella tarde en Galilea, mi Jesús,
la prueba de que a Tu Madre Tú no le niegas nada.
Por eso, cuando alguien le pide a María,
Tú no le puedes decir que no… porque sigue siendo Tu Madre.
…cada vez que pruebo un vino bueno, mi Jesús,
los vuelvo a ver mirándose en silencio… como sólo Ustedes podían.
Written, performed and produced by
Take it with you
A single page made to be printed: the whole lyric on bone-coloured paper, with a dedication written for this song and Larry Hans's signature. To pray it, to give it away or to keep it — not to read on one more screen.
Download the sheetIt is a wedding, and halfway through the party the wine runs out. She notices before anyone else and makes no scene: she tells her son, almost in his ear, and then asks the servants to do whatever He tells them. What happens next is told as a complicity between mother and son that nobody else in the room ever saw. The chorus repeats it, changing a single verb each time: his mother knew it, believed it, wanted it and asked for it. It is the danceable song on the album and the one that best explains what intercession means.
The things people ask most about this page. If something is missing, write to the address in the footer.
About the wedding at Cana. It is a wedding and halfway through the feast the wine runs out. She notices before anyone else and makes no scene: she tells her son, almost in his ear, and then asks the servants to do whatever He tells them.
John 2:1-11, the first miracle of Jesus. The song tells what happens next as a complicity between mother and son that nobody else in the room ever saw, which is exactly the detail John's account dwells on.
It runs 5:39 and is track 6 of the 10 on «La Virgen de Nazaret». Its ISRC is QT6FP2692524. It is the album's festive breath, placed just before its dark centre.
Handclaps and tambourines, with a wedding rhythm. It is the only track on the record made to be danced to, and the only moment when celebration takes charge of everything else.
Intercession advances through four verbs: «Tu Madre así lo sabía» (Your Mother knew it) → «lo creía» (believed it) → in the bridge «lo quería» (wanted it) → and at the end «lo pedía» (asked for it). It is the album's clearest explanation of what a mother's intercession is.
This song explains it better than any other on the album, in four steps: first she knows, then she believes, then she wants, and finally she asks. She does not work the miracle: she notices before anyone else and places it in her son's hands.
Yes. It is the only track made to be danced to and the album's festive breath, placed between the birth at Bethlehem and the Cross. Larry Hans wrote it with Catholic weddings in mind.
To weddings, to celebrations and to families who still gather to celebrate. And also to anyone going through a shortage they dare not name aloud: at Cana the wine ran out too, and Someone noticed before anyone asked for anything.
It is the album's track written expressly for that: it tells of a wedding, it has a festive rhythm and it speaks of a mother who solves a difficulty without anyone noticing. To play it during a ceremony, it is best to ask first at soy@larryhans.com.
On Spotify, Apple Music, Amazon Music and the other digital stores, and in the player on this page. The buttons above lead directly to this track in each store.
On this page, in a PDF sheet to print with the full lyric, the dedication written for this track and the author's signature. It is free, requires no sign-up and is available in the site's eight languages.
On «La Virgen de Nazaret» (2026), Larry Hans's debut album, of which it is track 6. It is the last joyful breath before «El día que Te dije adiós», the record's dark centre.
Larry Hans: words, music, performance and production. A Costa Rican singer-songwriter and practising lawyer, he signs all ten tracks on the album the same way.
No. The lyrics are always read in Spanish because they are the work. The song's explanation, its fact sheet and the printable page are in the site's eight languages.
The recording is under reserved rights, with ISRC QT6FP2692524. To use it in a video, a publication or any derivative work, prior permission must be requested at soy@larryhans.com.
I don't know your name or where you live, but the map says you were here. Thank you for putting this music on in your house, in your car or in your headphones, at whatever hour it was — every flag below is someone who stopped by to say hello.
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